Thursday, 17 December 2009
homage;
Homage is a french term generally used in mordern English, it publicly shows respect. In terms of media, it is usually a reference to soemthing previously done for example the film Pulp fiction contains alot of homages.
It is quoted by Gary Groth that in Pulp Fiction 'Tarantinos characters inhabit a world where the entire landscape is composed of hollywood product. Tarantion is a cinematic kleptomaniac - he literally cant help himself.
the new wave cinema;
-frecnh blanket term
- late 1950's and 1960's
- linked by there self-conscienceness rejection of classical cinematic
- spirit of youth
- used methods of expressions
- seven minature tracking shots
- absurdity of human existence
- produced on a tight budget
- directors were forced to improvise with equipment
e.g. shopping trolley used for tracking.
- efforts to save film turned towards stylistic innovations.
- a fresh look to cinema with improvised dialogue, rapid changes of scene and shows that go beyond the common 360 axis.
- Jean Luc Godard was accused of having contempt for his audience as the techniques used to shock the audience out of submission and are bold and direct.
- effects now seem either true or commonplace.
- classic french cinema changed to the principles of strong narratives
- new wave filmakers make no attempts to suspend the viewers disbelief; in actuall fact they took steps towards constantly reminding the viewers that a film is simply a sequence of moving images, no matter how smart the use of light and shadows.
Saturday, 5 December 2009
Post modernism;
It deliberately rejects;
-boundaries between high and low forms of art.
- rigid genre distinctions.
Post modern text favours;
- pastiche a work of art that borrows or imitates from the work or style of other artists.
- parady ( a humorous imitation of something serious.)
- reflexility and self-consciousness.
- fragmentation and discontinuity (especially in narrative structure)
- intertextibility -one text may make use of a different text in order to aid a different layer of meaning (referencially) show intertextuality.
- irony and playfullness.
- Bricolage ( a french term for putting together different articles as in punkfashion) takes intertextuality a stage further. Bricolage suggestsd that this referentiallity has been used in such a way that a new meaning is constructed e.g. fusion of documentry game shows and soap oreas become a reality show such a big brother.
Thursday, 26 November 2009
filming outside
Wednesday, 18 November 2009
male gaze ;
This was where women are percieved as an object of sexual desire and an erotic object.
This can be shown in filming due to camera angles,lighting, and amount of time placed on the woman.
However sometimes it is not just focused on the woman rarely but occasionally men are also focussed upon, for example in a certain example in ashes to ashes the male gaze is used to focus upon other males when they enter a gay bar.
Music videos can also show this as they can use a woman to fit in with the song, basically using the woman as a prop,
In peter andrés music video - mysterious girl
the woman in the music video is an object of want and desire, but also used to show the love he has for her.
Tuesday, 17 November 2009
Our final preparation;
Thursday, 12 November 2009
Audience Theory Continued;
-Given that the Effects model and the Uses and Gratifications have their problems and limitations a different approach to audiences was developed by the academic Stuart Hall at Birmingham University in the 1970s.
-This considered how texts were encoded with meaning by producers and then decoded (understood) by audiences.
-The theory suggests that :
-When a producer constructs a text that is encoded with a meaning or message that the producer wishes to convey to the audience.
-In some instances audiences will correctly decode the message or meaning and understand what the producer was trying to say.
-In some instances the audience will either reject or fail to correctly understand the message.
-Stuart Hall identified three types of audience readings (or decoding) of the text :
1. Dominant or preferred.
2. Negotiated.
3. Oppositional.
1. Dominant.
-Where the audience decodes the message as the producer wants them to do and broadly agrees with it.
-E.g. Watching a political speech and agreeing with it.
2. Negotiated.
-Where the audience accepts, rejects or refines elements of the text in light of previously held views.
-E.g. Neither agreeing or disagreeing with the political speech or being disinterested.
3. Oppositional.
-Where the dominant meaning is recognised but rejected for cultural, political or ideological reasons.
-E.g. Total rejection of the political speech and active opposition
Tuesday, 10 November 2009
Monday, 9 November 2009
Thursday, 15 October 2009
our final idea;
Start of with flashes of someones feet walking down the street. In between theses flashes are images (short clips) of a boy sitting in his bedroom on his bed looking at his phone.
Camera high-angle shot looking down on him
Camera shot inside the wardrobe as if someone is watching. See boy throw the phone on the bed.
Next shot is focusing on the boy on the bed (with wardrobe in view slightly open). Boy stretches out and lays back on the bed with hands on head, stressed.
Camera follows the boy as he goes to get off the bed and a quick shot of him going to walk out the room (don't actually see him fully leave).
Straight cut to a close-up of the phone left lying on the bed, and a hand is seen picking up the phone on the bed (text message is shown on the screen still).
Flashes quickly back to the feet walking down the street. Then cuts to the boy singing the song underneath a tree (or down the same road).
Then cuts back to the boy, who is now sitting in his living room by the stairs looking upset/scared.
Low-angle shot looking up at the boy who is sitting on the sofa, but behind is someone sitting on the stairs above him slightly (face is not shown just yet to hold anticipation and suspence, plus low-angle is then seen to show the 'stalker' looking down on the boy).
Stalker is seen to be holding something in their hands, not yet clear.
Camera then moves onto the stairs from the position of the 'stalker' to look down on the boy.
Boy goes to turn his around as he is suspicious someone is watching. Camera view cuts to behind the boy (camera is not on the stairs anymore) as he turns around. Camera slowly moves up to the stairs above him to show that no one is sitting on the stairs.
Position of the camera then moves to on the stairs again looking down on the boy as he turns back around to face the front. Camera moves slowly away from the boy and reveals that the object the 'stalker' was seen to be holding had been left behind on the step - the phone from the bedroom.
Again the scene goes back to the singer/band while they lip-sync. Different shots to show different views of the setting where they are singing.
Scene then cuts to the feet walking down the street. Next shot shows it is the same boy walking down the road on his own, clearly here no one is behind him. Camera again focusing on his feet walking, but this time it is different. Another pair of feet are shown walking behind (same feet that were on the stairs). Cut to the full view of the boy walking again and 'stalker' is shown walking behind. Boy turns to look behind him but camera reveals no one is there again (like scene with the stairs).
Again, more lip-syncing.
Next scene - boy is back at home/a house looking in a mirror. Appears distressed/nervous/worried. Pulling at his hair, shaking?
More lip-syncing.
Back to the boy in front of the mirror. Still looking distressed. Different shots of him looking into the mirror. Then he forcibly shuts his eyes and the screen goes blank/black.
On the very last note - the boy is seen to open his eyes again on screen still looking in the mirror. But now the 'stalker' is standing behind him, in full view to boy as their reflections are both in the mirror. Shock on the boys face.
Then fades out.
Saturday, 3 October 2009
Representation;
Tuesday, 29 September 2009
Audience theory;
Thursday, 24 September 2009
Final Post On the 100 Greatest;
Tuesday, 22 September 2009
Ideas for our video.
-One person walking round on their own being stalked (by someone from their past). Keep turning around but no ones there (paranoia)
-Different shots of one person / group lip-syncing or maybe playing instruments
-Lots of different locations used - park, church ground, bedroom, living room, streets
-Quick shots
-One idea is to have the person being stalked sitting in the living room on the sofa, (long-shot) where you can also see the person sitting on the stairs behind them. Have close-up of the "stalker's" lips and face as they lip-sync the word in the song "paranoia". Mid-shot of the person being stalked turning their head to look around behind them, (another shot at 180` seeing them after turned round), no one will be there though. Then long-shot showing no one is on the stairs...
-Another idea is to have the stalked person kneeling on the floor in the bedroom looking up at the ceiling with the camera looking down on them spinning in a circle. Have the stalker laying by/underneath the bed in the corner so you can still slightly see them (and then again with them not there). Have a similar turning shot with the camera looking up at the flashing light (and during editing alternate between these three shots).
-Phone shot....(wipe transition)
-Shot of someones feet while running, then straight cut to someones feet who is laying on the floor.
Further research;
Lyrics to Paranoia
Check the phone there's no one calling
Read a letter in the paper
Send a message, see you later.
Paranoia, check your phone line
Scared to take a walk at night time
Light a candle, kill the night light
Out of mind is out of sight.
And I'm running like I'm being chased
Missing like I've been erased
Seeking something never found
Standing on this broken ground.
Wishing for a hand to hold
My life's a story still untold
Paranoid I've missed my time
This minute now I draw the line.
Paranoia, you hear a siren
Look above the planes are flying
Who's are the good guys euro disguise
Paying someone to hide the lies
911 so far from heaven
Paranoid that this is the end.
Now that the lyrics are here wrote down we can start thinking of ideas that match the lyrics.
Reply From My Future Lies;
"Hi Jessica,
Of course you can use Paranoia. We'd like to see your project when it is complete.
Good luck with it all and thanks for using one of our songs. Remember to tell all your friends about our band as we hope to visit the UK one day soon.
Lukey
MY FUTURE LIES"
My Future lies
"Hey,
My name is Jessica and I was browsing unsigned.com when I came across your band and really liked your music.
I have a project coming up soon for 6th form where I have to make a music video for an unsigned band. I was wondering if I could have your permission to use one of your songs like 'Paranoia' for my coursework. It is not for commercial use and I can send you the final outcome if you decide to give me permission to use it.
Thanks,
Jessica"